I was directed to this month’s online edition of Vague Terrain which focuses on a locative theme.
Vague Terrain is a web based quarterly publication showcasing work from various national and International artists, musicians, and writers. The quarterly samples the focus and methodologies of academic and art journals, and examines contemporary issues in an immediate and accessible manner that reflects the nature of the web. Content consists of curated visual, audio, and written works.
The guest editor is David McCallum.
When I was first asked to edit the journal, it was to be on the subject of mobile technology due to my experience with projects such as the Warbike, an artwork that creates music from WiFi networks through which a cyclist rides. But to consider mobile technology is not to marvel at the ability to watch TV on one’s cell phone—merely shifting content created for one medium to another—it is to consider the implications of our new-found ability to take it with you. Watching TV on the subway is not the same thing as watching TV in your home.
The latest PDA and cell phone developments are easy targets for theorising about mobile technology, but a device as simple as Sony’s Walkman in 1979 drastically altered the ways in which people communicate in public. Although it innocently allowed you to take your music out of the home, it actually created an entirely new set of communicative gestures using headphones: disregard for others by playing music too loudly, taking headphones off to signal an openness to engage verbally, putting headphones on to avoid contact in public.
What changes when we take it with us? The parameter is space, or place. The term locative, in many ways, gives one the impression of a device with some artificial intelligence that allows the little thing—if I’m forgiven to personify our cute gadgets—to know something about the space in which it’s situated or moving through. Of course, artificial intelligence, especially confined to the current power of mobile processors, is nowhere near smart enough to truly understand anything about space. It cannot contextualise the same way that you or I would if placed in a foreign space. What it does do is give us information based on the space according to the parameters and design that we’ve set up for it. It doesn’t give us information outside of the media we’ve chosen, but this still allows for a great amount of surprise and discovery.
The renewed interest in space generated by mobile technologies such as the cell phone, and location-specific technologies such as GPS, has spread to areas beyond the high-tech. People are finding connections between their perceptions of space and those of the Situationists in the twentieth-century, and the wanderings of the Surrealists before them. Communities are forming psychogeography societies to explore their urban surroundings. Civic interest and concern in urban centres is not only healthier than ever before, but gaining momentum.
Relevance: How is mobile technology changing how I view my space? As I use a laptop, finding a free plug on a campus built before laptops were prevalent is a challenge. Why don’t classroom have more plugs?